1971

Nights At The Roundtable - Halfnelson (Sparks) - 1971

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(Sparks in their earlier incarnation as Halfnelson - further evidence the name is everything)

Sparks became something of a West Coast institution in the early 1970s. Led by the inimitable Mael Brothers (Ron and Russell), they were first introduced to the record buying public in 1971 as Halfnelson via their first album which was a set of reworked demos whipped into shape by Todd Rundgren. The album barely made a dent, in fact it made so negligible a dent, Bearsville, the label which released it, re-released it with Halfnelson now known as Sparks - to considerably better results. Which just goes to show you that there really is something to be had in a name.

Sparks have grown and changed over the years, but have always maintained their idiosyncratic style set by Ron and Russell.

And in case you've either forgotten what they sounded like in the dim-distant past or have never heard them when they started out, here is a track off that first self-titled album, No More Mr. Nice Guys.

Still classic. Honest.



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(The Rolling Stones - 1971 with Mick Taylor, guitar - Heading off to France shortly)

Something to go along with your post-Thanksgiving weekend - a live concert (via the BBC) from Leeds University on March 13, 1971.

Aside from this being one of the last stops on their infamous "Goodbye To Britain Tour" of 1971, I don't think any other explanation is necessary other than turn up the volume and enjoy the show.


Buckley Mulls Legalizing Marijuana - 1971

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(Legalizing Marijuana - Goes back to 1942)

Since the question of Legalizing Marijuana has started up again (or actually never really went away), I ran across this Firing Line episode from October 1971, with William F. Buckley, Dr. Lester Grinspoon and Lawrence McKinney discussing the facts and myths behind Marijuana as a drug and as a question of legalizing.

William F. Buckley: “If it were legalized and freely available, anybody who overdosed himself would be doing so intentionally, am I right?

Dr. Lester Grinspoon: “Yes absolutely. I would say that without a doubt . . . .

Buckley: “And what percentage of the people who . .who in fact use marijuana today, would you say, accidentally overdose themselves?

Grinspoon: “ Well it’s hard to say. The frequency of these reactions is not . . . these adverse reactions, is not very common . . . the data from the Haight-Ashbury clinic, demonstrates that it’s not very common. In something like 280,000 consecutive admissions to the Los Angeles County General Hospital there are only several . . . two or three . . . .three marijuana reactions. And two of them were due to injecting stuff into their veins . . . .it’s really . . .except for this – people at the Haight-Ashbury are very experienced, relatively experienced marijuana users. And they’re less likely to have an adverse reaction. It’s people who are inexperienced . . . .

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Nights At The Roundtable - Supersister - 1971

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(Supersister - Owed much to Caravan and Frank Zappa, though not in any particular order)

Had they decided to break up when their original lead singer left in 1969, we probably never would have had much of the Progressive Rock movement as we knew it in the 1970's. Supersister were a Dutch band (a country probably known more for Golden Earring and The Tee Set here in the States) who put Europe on the map as far as the Prog-rock movement was concerned.

Influenced a lot by the Canterbury scene in the UK in the mid-late 1960's with the likes of Caravan and Soft Machine, they were also very much influenced by early Mothers of Invention and the free Jazz and electronic music scene that was happening all over Europe from the 1950's onwards.

By today's standards, the band wasn't together all that long. Three albums worth before going separate ways in 1974, until a brief reunion in 2001 which sadly didn't become permanent owing to the loss of Sacha van Geest, one of the founding members to Cancer that year.

Still, Supersister have enjoyed a resurgence in popularity over the years because, like many of their counterparts from the period, it was never picked up by the mainstream and was deemed comfortably weird enough to remain timeless to those who never heard them in the first place.

Thank God for that.

Here is a cut off their second album "To The Highest Bidder", which was issued in the UK on Dandelion Records and came out in the U.S. for about a minute and a half. "A Girl Named You" starts off the original Side two.


Nights At The Roundtable - Fields - 1971

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(Fields - Just one album. One very rare album)

Heading into Prog territory this week. Fields is probably not a recognizable name, unless you're a big fan of early Rare Bird (oh, haven't heard of them either?)

Both bands have one person in common; Graham Field who has been probably one of the more neglected keyboard players in the 1970's Prog-rock scene. Field was a founding member of Rare Bird and left when the band decided a change in direction was called for. He regrouped and formed Fields and was quickly snapped up by CBS Records in the UK. The result was one album and a couple of singles before CBS lost interest and Fields broke up.

Field went into semi-retirement, but is rumored to be getting active again.

But in the meantime he did leave a very auspicious first (and only) album in 1971, which has seen a brief reissue on CD in Europe and Japan, but nowhere else.

A Friend Of Mine is the track you will hear when you hit the play button.


Nights At The Roundtable - Brother Jack McDuff - 1971

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(Brother Jack McDuff - a little funk does a body good)

A little funk tonight by way of Brother Jack McDuff. From his 1971 Blue Note album "Who Knows What Tomorrow's Gonna Bring?".

This is the title track.

McDuff has taken something of a back seat in the recognition department over the years. And that's a shame - you can never have too many great Hammond B3 players in the world. I remember first hearing McDuff around the same time I first heard Jimmy Smith. To me, there was always enough room in the world to enjoy both of them - they came from different musical places. But they shared a common bond of excellence. McDuff was the funkier - but there's a big place in the world for that.

If you haven't checked out Brother Jack McDuff, or the ton of albums he's released (a lot, but not all are reissued on CD), here's a great chance to do yourself a favor.


Nights At The Roundtable - Ginhouse - 1971

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(Ginhouse - The original vinyl lp is going for silly money)

For every band that has achieved fame and riches from their music, there are at least a thousand who recorded one single or one album and vanished without a trace. A lot have good reason for their obscurity, but a lot arrived at that status for no good reason.

Ginhouse were such a band. A power trio that weaved back and forth from Psychedelia to Prog-rock consisted of Geoff Sharkey, guitar - Stewart Burlison, Bass and Dave Whitacker on drums. Together a few short months in 1971 before splitting off in other directions. Sharkey was previously with the band Sammy who later morphed into Audience. Burlison and Whitacker are mysteries. But Ginhouse never had a single enter the charts and this one lp came and went with very little notice and wasn't even issued in the States. How I found out about them was something of an accident. I had done some work for Charisma Records (the label who had Genesis, Van Der Graaf Generator, Lindesfarne and many others) - they were distributed by B&C Records who dabbled in rock and Prog-rock but were primarily a Reggae label with the exception of bands like Atomic Rooster and Arnold Corn (David Bowie). The Press Officer for Charisma sent the album as an afterthought and I was hooked from Side One.

Luckily, the album has been reissued on CD by a couple of small labels in the U.K. since the original album has been seen going for hundreds of dollars on the collectors market.

This track, or actually two of them since they blend into each other are "The Journey" and "Portrait Picture".

File under Unjustified Neglect.


The American Scene - as viewed through 1971 colored glasses

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(1971 - the brief respite between the World's Longest Party and Our Great National Nervous Breakdown)

Hard to imagine that 1971 was a sort of resting point in our rather skewed history. At the time of course, it didn't seem that way - in 1971 Campuses were still hotbeds of disturbance, Vietnam was still grinding on, cities were falling apart. But we were optimistic all was going to be okay with the world and prosperity was just around the corner.

Sadly, no.

This documentary, part of the NBC Radio series "Second Sunday", aired in April 1971 was concerned about our place in the world. A reassessment of who we were as a society - the old "who am I, what am I doing and where am I going" mantra that was so popular during those years.

And questions are posed to a number of people - Ralph Nader, newly elected Governor Jimmy Carter, Senator Howard Baker, Gunnar Myrdal, Jean-Francois Revel, John Gardner (founder of Common Cause) and Dr. Milton Eisenhower who offers this interesting observation:

Dr. Milton Eisenhower: “We do seem to have a new kind of violence in this country, we have some people who are actively advocating revolution, which I think is relatively new in America.”

Question: Where do think this will lead? Do you think this is a self-defeating thing?

Eisenhower: “ First let me say that there are nihilists, there are revolutionaries; most of them young. Many of them, in our colleges and universities. But it’s terribly important that the American people understand that they constitute a very small minority. They make a lot of noise and I may say the mass media give them a great exposure to the American people, but they can’t be more than one, two or three percent of the total. Yes, this is something new.”

Question: “How do you answer the argument that we engage in violence in Vietnam, so violence is warranted here in America. And those who argue that the system is so rotten and has such basic defects that the system itself is not worth preserving and hence you need revolution in this country to purify the government.”

Eisenhower: “Well I think that’s a terribly specious argument. If we lived in a dictatorship, and the dictatorship had proclaimed and carried on the war, and therefore citizens could do little if anything about it, one could well argue that in these circumstances revolution, internal revolution would be the corrective measure to take. But once the people themselves have taken possession of the basic social power, which is the situation in our free democratic society, and we exercise this power through a representative form of government, then the only way, the only reasonable way to get action is to work through these political procedures. All other methods are illegitimate and are self-defeating. Margaret Chase-Smith made a speech in the Senate that was worth the attention of the American people, in which she said that, if the left-wing extremists, who are causing a good share of the trouble don’t look out, they are going to drive America to the right. The danger in America is not going too far to the left – the danger in America is going too far to the right.”

That last quote is particularly telling considering where the country would wind up in the next decade.

Of course, at the time no one suspected a thing . . . .


Backstage Weekend - The Mick Abrahams Band - BBC 1971

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(Mick Abrahams - One of the staples of the FM diet of the early '70's.)

Not exactly live this week, but sessions produced for the John Peel Program over the BBC in 1971 and courtesy of the ever-amazing BBC Transcription Service.

Anyone who has been a long time Jethro Tull fan will recognize Mick Abrahams as one of the founding members, who left shortly after the release of This Was in 1968 and went on to form Blodwyn Pig (whose single Dear Jill was a staple on early rock FM radio here in the States). Blodwyn Pig dissolved in late 1970. There was the short lived Wommit and then The Mick Abrahams Band who, although not achieving the commercial appeal Jethro Tull had, still maintained a strong loyal following and were regarded by many as musician's musicians. Blodwyn Pig recently reformed (adding Clive Bunker, original Tull drummer and, in my estimation the best) and are currently gigging around England and Europe.

This session, recorded on June 6, 1971 features Seasons, Not To Rearrange, Winds of Change and Why Do You Do Me This Way.

So for the next 20 or so minutes, pretend it's not 1971. And it's not if you haven't heard this band before - it's new to you. New is good. Honest. Especially when it's been around for a while.


How The World Viewed Us In 1971

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(We weren't too popular then either.)

Seems not a whole lot has changed the last 40 years, with regards to our standing in the eyes of the world. We have been liked as a people, but despised as a government. How we've managed to trash allies and solidify movements against us. How we've been actively engaged in mutual alienation of every country around us. I was thinking about that as I watched the BBC coverage of President Obama in Cairo this morning. How the right wing so desperately wants us to be isolationist in our foreign policy while at the same time embracing cheap sources of overseas labor in the name of Free Enterprise. And how much work needs to be done in the area of diplomacy just to put things on even keel again.

I thought maybe the problem was the result of the last 8 disastrous years. No. It goes back a lot further than that. According to this documentary from the Second Sunday Radio series "A World Reflection: How they see us", it's been going steadily downhill since the mid-1960's. A long time for a lot to go wrong. And a snap of the finger isn't going to make it right.

As with everything that's been done the past 8 years, repairing damage and surveying the wreckage is going to take a long time. Maybe even decades.

But here is how it was viewed on September 12, 1971.


Weekend Gallimaufry - Vivian Stanshall's Radio Flashes - 1971

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(The Bonzo Dog Band - Cheerfully poking holes in credulity)

Vivian Stanshall was probably one of those most gifted, absurd, hysterical performers to come out of England in the 1960's. The band he helped form, The Bonzo-Dog (Doo-dah) Band gained an enormous cult following among musicians and lovers of theatrical insanity from 1966 to the eventual demise of their first incarnation in 1970. Many people attribute the rise of Monty Python to The Bonzo's influence and in fact, Neil Innes (another founding member of the band) figured prominently in the early stages of their success. The Bonzo's were also featured in The Beatles Magical Mystery Tour, and their featured song "Death Cab For Cutie" became the namesake of a band currently on the scene (but with no other connection other than name).

But it was Vivian's contribution, his vision, that gave him such a cult following. One which continues to this day, some 14 years after his premature death.

There are a number of sites devoted to Stanshall and the work of The Bonzo's. This is one of the best sites. It's well worth checking out.

In 1971 Stanshall was recruited by John Peel to act as substitute DJ while Peel went on vacation. The result was a series of programs for the BBC entitled "Vivian Stanshall's Radio Flashes.

This show also features the talents of his pal and drinking buddy Keith Moon acting as straight man and foil.

The combination is perfect, the madness bounces out of the speakers and the genius behind it all is sorely missed.

Listen and enjoy - and tell your friends.