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(A taste of Tull tonight - live)

A change of pace tonight and for the coming week. Nights At The Roundtable will be devoted to live concerts (in addition to our regular Backstage Weekend series) in celebration of our Fundraiser (hint-hint).

Tonight it's Jethro Tull, Live at the Hammersmith Odeon in 1984.

So check it out, play it loud and empty the change purse:

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(If they only had Mick - they would have out Rolling Stoned The Rolling Stones)

Of all the so-called "British Invasion" bands of the 1964-1965 period, the one that stands out as being criminally ignored by U.S. audiences would have to be The Pretty Things. They were without question one of the most raw, loud and rowdy bands of the period, which may have been the reason they weren't picked up by any labels in the States until the late 60s. Reading press reports from New Musical Express and Melody Maker, their concerts and club dates were near-riots and their personal exploits became stuff of rock n' roll legend. It was said The Rolling Stones, whom various members of The Pretty Things were associated with early on, paled by comparison. They were, above all, a huge influence on a number of blues-based bands of the period - not only The Rolling Stones, but The Yardbirds and several others.

This track, Can't Stand The Pain, epitomized who they were during those early days when I picked up one of their first eps on import "The Pretty Things On Film".

If you're not familiar with them - now's the time to get acquainted with a legend.

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(From the Secret World Live disc.) In the '80s and '90s I did a fair amount of music writing as a freelancer, and in that time I saw probably over a hundred concerts, including a lot of great grunge shows in the '90s. Still, seeing Peter Gabriel on the '93 Secret World Tour -- he played locally at the Tacoma Dome, but the show looked identical to the one captured here, in Italy -- remains probably my favorite. Gabriel's songs mean a lot to me personally ("In Your Eyes" was "our song" when my wife and I were dating), but the show was just riveting, and the talent (Youssou N'dor, Paula Cole, Tony Levin) was awesome. I also have a cool big-disc 45 of this song, which included an extended version that included the line poem at the end ("Accepting all I've done and said ..."), which does not appear on the album version, but is included here. Of course, on this song, even in the live performance, you can't help being reminded of Lloyd Dobler standing outside Diane Court's window with his music blaster.

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(Gabriel Pierne` - noted composer in his own right)

Back to France this time. A recording made for the French Odeon Company in 1930 - one of the first recorded performances of Cesar Franck's "Psyche", performed by the Concerts Colonne Orchestra conducted by Frank's friend and fellow composer Gabriel Pierne`.

It's always interesting to hear how a composer interprets a colleagues work. Since they were friends, there's an extra validity in a performance like this. Gabriel Pierne was an excellent composer in his own right, as well as a very popular conductor of the late 19th and early 20th century and made quite a few recordings before his death in 1937. Though not as prolific as Franck, he did have a good reputation, particularly in ballet and chamber music and a number of his works are performed today.