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(photo: Dezo Hoffmann)
(Pink Floyd and Syd Barrett - Extraordinary madness loomed)

I have never been able to figure out why this track hasn't been officially issued on any of the compilations featuring early Pink Floyd. Vegetable Man has evolved into Holy Grail status over the past forty or so years. First rumored to have been destroyed during one of Syd's meltdowns, then destroyed by EMI, with the only evidence surviving a 45 acetate of what was to be the b-side of their fourth single. Countless bootlegs surfaced over the years featuring this and the A side "Scream Thy Last Scream", all in various stages of lousy sound. Just recently this version surfaced, presumably the closest to a surviving master so far. It's in stereo but the opening notes have some tape drop-out (as do almost all the other versions I've heard). Still, it's the best sounding of what's available of a legendary unreleased song.

Perhaps this is the only known surviving version of what has been a much fabled withdrawn track by Pink Floyd during the last months of Syd Barrett's involvement. Who knows? Perhaps someone at EMI will make a great discovery.

Perhaps. Or perhaps not.

Check out the Syd Barrett Archive. It's a good one.

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(Pink Floyd in 1967 - The world was never ready for Syd)

Pink Floyd is one of those bands that have spanned the decades, picking up new fans along the way. I think each generation that has sprung up since 1967 can lay claim to having at least one Pink Floyd song or album embedded in their psyche, defining them to a specific place and time.

For me, it will always be Pink Floyd during the Syd Barrett period. No question Syd was the driving force behind the experimenting that became who they are today. I often wonder just what kind of band Pink Floyd would have been had there not been a Syd Barrett - maybe it wouldn't have happened at all and maybe it would have been someone else.

No matter - for the brief period of time Syd was with the band they made some amazing music and it set them up for the events that were to come later.

Apples and Oranges comes from their third single, released in 1967. After achieving somewhat notorious notoriety with their first two singles (Arnold Layne being a song about a cross-dresser and See Emily Play about masturbation), Apples and Oranges seemed pretty tame by comparison. But it was loaded with Syd's skewed and engaging view of the world.

A view that many shared and openly felt at home with. Syd just freed everything up.