(Nicole:) One of the best responses we've ever had for our LNMC was one that our very own NonnyMouse suggested. It's been a while since she's contributed anything, so I asked her if she'd like to do another one. Here it is:

I still have records. (For those of you who are too young to remember Viet Nam, never mind Watergate, records are those big, black Frisbee-like things in flimsy cardboard album covers.) At only 150 albums or so, I wouldn't actually call it a ‘collection'; it's just a motley hodgepodge of what I bought the last time I was a student in college. Thirty years ago. They all got put into storage in the States when I moved to Europe. More than twenty years ago. I shipped them over about five years ago. None of them have been played in a quarter of a century. But now... I have a record player. So I'm going through them all, deciding on which I treasure enough to ship once more.

I bought William Ackerman's ‘It Takes A Year' brand-new in 1977. Thirty years later, I carefully extracted the record, holding it by the edges (never touch the grooves with your bare fingers!) and laid it carefully onto the turntable, made sure there was no lint or dust on the vinyl, positioned the tone arm exactly right before lowering the brand-new stylus ever so gently onto the lead-in edge and listened to music I last heard before Britney Spears was even a zygote. Maybe it was because memories are so powerful, the music you hear in your 20's does something to your heart - I don't know. What I do know is I stood in front of an old record player, listening to the hauntingly beautiful ‘The Impending Death of the Virgin Spirit', crackles and hiss and all, and wept.

The closest I can give you to the real thing is this YouTube clip of a cover done by Adam Werner and Michael Manring.

William Ackerman founded Windham Hill Records, now sadly defunct, won some Grammies, gave up the craziness of the music business and moved away from California to the Vermont countryside where he does a few concerts, plays anywhere, even private living rooms, and is still quietly recording some of the best acoustical music known to the human soul. His newest CD, ‘Returning', features ‘Virgin Spirit', both because Ackerman wanted to refine the emotional connection of the work, and because in the past 30 years technology has vastly improved sound quality. Yet while the sound may be richer, the nuances more distinct, the music more matured, there will still be - at least for me - something very moving and unique about that older version, made long ago when we were both young and rough around the edges, that defined my life then, and still defines it now.Tonight's LNMC challenge is to share something powerful enough, without lyrics, to have moved you to tears.